The heritage collection · RA.1913.1
The Copyist
A seated clerk who dips his pen and writes, in a fair hand, the first Article of the Association.
1913
The Copyist was the first piece the Association made together, two years after it was constituted, and it was made to answer a question that the eleven makers had argued about all winter: whether a house of different trades could make one thing that showed no seams between them. Tobias Rosen made the movement. Harald Moen made the cam stack. Joseph Lindqvist made the desk and chair, Cora Bellweather made the hair, and Euphemia Aske made the eyes, which follow the pen.
The clerk sits at a slant-topped desk, dips his pen, and writes four lines in an upright copperplate: No piece shall leave the house without a true account of its making, signed by its makers. He blots the page, looks up, and waits. The text is stored on sixteen brass cams on a single shaft, four to each line: three that guide the pen’s path across the page and one that sets its pressure. It has not been changed since 1913.
His certificate is No. 41. The forty entries before it record the Register itself, the House, and the clocks and repairs that kept the Association solvent in its first two years; the Copyist was the first piece the Association made together.
He is wound on the first Monday of each month and writes once, in the entrance hall, at noon. The house has kept every page he has written, 1,362 of them at the beginning of November 2026, in boxes beneath the desk.
Object record
- Object type
- Writing automaton
- Made
- The House, Seattle, 1912–1913
- Makers
- Tobias Rosen, movement; Harald Moen, cams; Joseph Lindqvist, desk and chair; Cora Bellweather, hair; Euphemia Aske, eyes
- Materials and techniques
- Brass, steel, mahogany, bisque, human hair, glass; hand-cut cams
- Dimensions
- 118 cm high seated; desk 74 × 52 cm
- Accession number
- RA.1913.1
- Certificate of provenance
- No. 41
- Location
- The House, Seattle. Shown on any visit
- Record
- Cataloged 1952; revised 2026
Records in the heritage catalog are compiled from the Register of Provenance and the makers’ own notebooks. Where the two disagree, the Register is preferred and the disagreement noted. Return to the collection